16 products
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16 products
In-stock items ordered by 2 PM will be shipped the same day.
ARITA PORCELAIN LAB Sometsuke Kikue 5-sun Tenpyozara (Flat Plate), 14.5cm
Individual products may vary slightly in color, pattern, and weight. Also, some products may have small black dots (iron powder) on the surface or glaze drips, but this does not affect the quality.
| Dimensions | W14.5cm x L14.5cm x H1.5cm |
|---|---|
| Product Weight | 180g |
| Capacity (full) | -ml |
| Material | Porcelain |
| Feel | Glossy / Smooth |
| Place of Origin | Japan / Saga Prefecture |
| Craftsman/Brand | ARITA PORCELAIN LAB / Arita Ware |
| Specifications |
|
| Notes |
May also be listed as "Tenpyo 5-sun Hirazara Kikue" by other stores. |
Yazaemon Koimari Sohakammon 4.5-sun Round Plate, 13.5cm
Please note that individual products may vary slightly in color, pattern, and weight. Also, some products may have small black dots (iron spots) on the surface or glaze drips, but this does not affect the quality.
| Size | W13.5cm x L13.5cm x H2.2cm |
|---|---|
| Product Weight | 200g |
| Capacity (full) | -ml |
| Material | Porcelain |
| Texture | Glossy / Smooth |
| Origin | |
| Craftsman/Brand | Arita Porcelain Lab (Yazaemon) / Arita Ware |
| Specifications |
|
| Remarks |
It may also be listed as "4.5-sun Round Plate Koimari Sohakammon" in other stores. |
ARITA PORCELAIN LAB Sake Set, Outer Brush/Inner Red (Sake bottle and cups)
This product is not sold as a set. If you wish to purchase a set, please buy the sake bottle and cups separately.
This is tableware from ARITA PORCELAIN LAB, which offers modern Arita ware that combines 400 years of tradition with contemporary lifestyles. The exterior has a matte, brushed finish, while the interior is glazed in red with a glossy finish. It would be unique and fun to combine with sake cups of different colors.
Please note that individual products may vary slightly in color, painting style, and weight. In addition, some products may have small black spots (iron particles) on the surface of the ware or glaze drips, but these do not indicate a quality issue.
| Size | 1-go Marutokuri (sake bottle): W8.5cm x L8.5cm x H11cm Tatsuteki-hai (sake cup): W5cm x L5cm x H3.7cm |
|---|---|
| Product weight | 1-go Marutokuri (sake bottle): 150g / Tatsuteki-hai (sake cup): 40g |
| Capacity (full) | 1-go Marutokuri (sake bottle): 260ml / Tatsuteki-hai (sake cup): 40ml |
| Material | Porcelain |
| Texture | Matte, smooth *Inside is glossy, slick |
| Place of origin | Japan / Saga Prefecture |
| Craftsman / Brand | ARITA PORCELAIN LAB / Arita ware |
| Specifications |
|
| Remarks |
Other stores may list this product as "Sake Bottle and Standing Cup with Outer Brush and Inner Blue-White Porcelain" |
ARITA PORCELAIN LAB Celadon 37cm Footed Plate
Individual products may vary slightly in color, painting style, and weight. Also, some products may have small black dots (iron powder) visible on the surface of the器, or glaze drips, but there is no problem with quality.
| Size | W37cm x L37cm x H6cm |
|---|---|
| Product Weight | 2500g |
| Capacity (full) | -ml |
| Material | Porcelain |
| Feel | Glossy・Smooth |
| Region of Origin | Japan/Saga Prefecture |
| Artisan/Brand | ARITA PORCELAIN LAB/Arita ware |
| Specifications |
|
| Notes |
It may be listed as "Celadon Footed Plate 12 / 37.5 x 5.5cm" by other stores. |
ARITA PORCELAIN LAB Outside Brush, Inside Sumi Ruri Irregular Rice Bowl 12cm
Please note that individual products may vary slightly in color, pattern, and weight. Some products may also have small black dots (iron spots) on the surface or glaze drips, but these do not affect the quality.
| Size | W12cm x L12cm x H7.5cm |
|---|---|
| Product Weight | 200g |
| Capacity (Full) | 380ml |
| Material | Porcelain |
| Feel | Exterior: Matte, smooth Interior: Glossy, slick |
| Place of Origin | |
| Artisan/Brand | ARITA PORCELAIN LAB / Arita ware |
| Specifications |
|
| Remarks |
It may also be listed as "A01-02751 Outside Brush, Inside Sumi Ruri Irregular Rice Bowl" by other retailers. |
Yazaemon Kiln Aritayaki Wisteria-painted Faceted Sake Decanter/Cup (250ml / 40ml)
Please read before purchasing (Regarding the "individuality" of the ware)
While we only sell genuine products that have passed manufacturer inspections, due to the nature of handmade pottery, this product may have the following individual characteristics. We hope you will appreciate these as unique "sceneries" not found in mass-produced items.
- You may find tiny black specks (iron particles) on the surface of the ware, or some dripping or pooling of glaze. These do not indicate a defect in quality.
- If you have any other concerns, please contact us.
| Size | Sake Decanter: Approx. W7cm x L7cm x H14cm Sake Cup: Approx. W5.5cm x L5.5cm x H3.2cm |
|---|---|
| Product Weight | Sake Decanter: Approx. 220g Sake Cup: Approx. 35g |
| Capacity (Full) | Sake Decanter: Approx. 250ml Sake Cup: Approx. 40ml |
| Material | Porcelain |
| Feel | Glossy・Smooth |
| Region of Production | Japan/Saga Prefecture |
| Craftsman/Brand | Yazaemon Kiln (Arita Porcelain Lab)/Aritayaki |
| Specifications |
|
| Remarks |
It may also be listed as "Faceted Sake Decanter Wisteria Painting 300cc" at other stores. |
ARITA PORCELAIN LAB Shingo Oka Supervised Sometsuke Quadrilateral Small Plate 10.5cm [3 Patterns]
A versatile small plate, supervised by Shingo Oka, that adds color to your dining table
Excellent versatility and usability
This versatile small plate fits into any daily scene, whether for small side dishes, condiments, or sweets. It proposes a uniquely Japanese way to enjoy tableware, adorning your dining table with small plates.
A miraculous collaboration
The desire of ceramist Shingo Oka to have "more people use his pottery" is combined with the "high skill x stable production capacity" of a kiln with 200 years of traditional techniques. This is a very rare fully supervised product in the industry, where Mr. Oka himself thoroughly supervised everything from design, ceramic clay and glaze blending, to painting and glazing guidance.
Quality born from skilled craftsmanship
Despite being mass-produced, it is made through a painstaking process to maintain the warmth and high quality of artisan pieces.
- Forming (Pressure Casting): This technique involves injecting "slip (liquid clay)" under pressure into a specialized plaster mold with irregularities. It is mainly suitable for forming irregularly shaped vessels.
- Trimming (Shaping): After drying, craftsmen trim the piece to achieve its final shape. This is a crucial step requiring skilled techniques that affect the finish of porcelain.
- Bisque Firing: The pieces are slowly bisque fired in a 920-degree kiln for two days.
- Painting and Glazing: Under Mr. Oka's guidance, craftsmen hand-paint the underglaze. Afterward, Mr. Oka's specially blended glaze is applied using precise techniques as instructed.
- Main Firing: The pieces are slowly "reduction fired" at a high temperature of 1300 degrees for three days to completion.
"Free and dynamic sometsuke" of Early Imari
What is Early Imari?
It refers to Arita ware fired between 1616 and the 1650s, characterized by glazes that imitate the white porcelain of the Joseon Dynasty. Pieces from this era, about half a century before the completion period, often feature free and dynamic forms and painting, possessing warmth and deep flavor.
Reproduction by hand-painting
The beauty of the "free and dynamic sometsuke" characteristic of Early Imari has been beautifully reproduced in modern vessels by the hands of skilled craftsmen.
Ceramist Shingo Oka
A popular artist who creates pottery based on a unique "refined sensibility" that matches the contemporary atmosphere, while being mindful of masterpieces from older eras such as white porcelain (Joseon Dynasty) and sometsuke (Early Imari). He is known for his diverse expressiveness, including white porcelain, Karatsu, Oribe, aka-e, and classical patterns.
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