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719 products
Yoshinuma Glass Shippo Medium Bowl 17cm
This product from Yoshinuma Glass represents their original glass tableware for commercial use. Guided by the motto "Solidity, boasting tradition and trust," they continue to develop handmade glass tableware. Yoshinuma Glass was founded in Taisho 5 (1916) and celebrated its 100th anniversary in 2016. Their products are suitable for restaurants and eateries, as well as for home use. *As all glass products are handmade, some may contain air bubbles. There may also be slight variations in color, shape, dimensions, and capacity.
Individual products may vary slightly in color, pattern, and weight. Additionally, some products may have small black dots (iron spots) on the surface or glaze drips, but these do not affect the quality.
| Size | W17cm x L17cm x H6cm |
|---|---|
| Product Weight | 610g |
| Capacity (full) | -ml |
| Material | Soda Glass |
| Texture | Glossy・Smooth |
| Production Area | Turkey |
| Craftsperson/Brand | Yoshinuma Glass / Glass Tableware |
| Specifications |
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| Notes | It may also be listed by other stores as "19-619CR Shippo Medium Bowl Clear (6)". |
ARITA PORCELAIN LAB Shingo Oka Supervised Sometsuke Quadrilateral Small Plate 10.5cm [3 Patterns]
A versatile small plate, supervised by Shingo Oka, that adds color to your dining table
Excellent versatility and usability
This versatile small plate fits into any daily scene, whether for small side dishes, condiments, or sweets. It proposes a uniquely Japanese way to enjoy tableware, adorning your dining table with small plates.
A miraculous collaboration
The desire of ceramist Shingo Oka to have "more people use his pottery" is combined with the "high skill x stable production capacity" of a kiln with 200 years of traditional techniques. This is a very rare fully supervised product in the industry, where Mr. Oka himself thoroughly supervised everything from design, ceramic clay and glaze blending, to painting and glazing guidance.
Quality born from skilled craftsmanship
Despite being mass-produced, it is made through a painstaking process to maintain the warmth and high quality of artisan pieces.
- Forming (Pressure Casting): This technique involves injecting "slip (liquid clay)" under pressure into a specialized plaster mold with irregularities. It is mainly suitable for forming irregularly shaped vessels.
- Trimming (Shaping): After drying, craftsmen trim the piece to achieve its final shape. This is a crucial step requiring skilled techniques that affect the finish of porcelain.
- Bisque Firing: The pieces are slowly bisque fired in a 920-degree kiln for two days.
- Painting and Glazing: Under Mr. Oka's guidance, craftsmen hand-paint the underglaze. Afterward, Mr. Oka's specially blended glaze is applied using precise techniques as instructed.
- Main Firing: The pieces are slowly "reduction fired" at a high temperature of 1300 degrees for three days to completion.
"Free and dynamic sometsuke" of Early Imari
What is Early Imari?
It refers to Arita ware fired between 1616 and the 1650s, characterized by glazes that imitate the white porcelain of the Joseon Dynasty. Pieces from this era, about half a century before the completion period, often feature free and dynamic forms and painting, possessing warmth and deep flavor.
Reproduction by hand-painting
The beauty of the "free and dynamic sometsuke" characteristic of Early Imari has been beautifully reproduced in modern vessels by the hands of skilled craftsmen.
Ceramist Shingo Oka
A popular artist who creates pottery based on a unique "refined sensibility" that matches the contemporary atmosphere, while being mindful of masterpieces from older eras such as white porcelain (Joseon Dynasty) and sometsuke (Early Imari). He is known for his diverse expressiveness, including white porcelain, Karatsu, Oribe, aka-e, and classical patterns.
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