653 products
Sort by:
653 products
Sometsuke Madori Karakusa Shaving Brush 13.4cm
"Tako Karakusa," a swirling vine pattern reminiscent of octopus suckers, is a design often seen on Ko-Imari ware from the Edo period. While the Tako Karakusa pattern evolved over time, designs with outlines filled in with a technique called "dami" were frequently created in the first half of the 18th century. This "Madori Karakusa" pattern balances the Tako Karakusa design with well-designed negative space. Additionally, Kishogama's unique warm, matte glaze is used, maximizing the aesthetic of Ko-Imari ware.
The handle is made by Kishogama, a kiln specializing in "recreating Ko-Imari." Among their notable works is "Usururi Soro," which reproduces the "phantom technique" of thin russet glaze. It recreates the pattern and texture of the "Sometsuke Shirasagizu Sankyaku-zara," which is designated as an Important Cultural Property of Japan, in a new form.
The bristles were made by Chikuhodo, a world-renowned brush workshop. This luxurious shaving brush uses a greater quantity of bristles than usual. The bristle material is badger hair. When wet, the bristles soften, providing a smooth feel against the skin. Furthermore, badger hair has just the right amount of resilience, allowing for the creation of finer lather.
Please note that individual products may vary slightly in color, pattern, and weight. Also, some products may have small black dots (iron spots) on the surface of the vessel or glaze drips, but these do not indicate a quality issue.
| Product Number | Q01-03394 |
|---|---|
| Size | W3.5cm x L3.5cm x H13.4cm |
| Product Weight | 75g |
| Capacity (full) | -ml |
| Material | [Handle] Porcelain [Bristles] Badger hair |
| Place of Origin | Japan |
| Maker / Brand |
Kishogama (Arita) , Chikuhodo (Kumano) / QUSAVI |
| Specifications | |
| Remarks |
|
Kouemon Kiln Nishiki Kinsai Karakusa 9-inch High-footed Flat Plate 28cm
Each product may vary slightly in color, painting style, and weight. Additionally, some products may have small black dots (iron spots) on the surface or glaze drips, but these do not affect the quality.
| Size | W28cm x L28cm x H2.5cm |
|---|---|
| Product Weight | 965g |
| Capacity (full) | -ml |
| Material | Porcelain |
| Feel | Glossy・Smooth |
| Production Area | Japan |
| Craftsman / Brand | Kouemon Kiln / Arita Ware |
| Specifications |
|
| Remarks |
It may be listed as "Nishiki Iroe Karakusa 9-sun Maru Ichimonji Plate" by other stores. |
Anraku Kiln Tobikanna-carved Donabe Rice Cooker for 3 Cups [Oven and Direct Heat Compatible]
No need to adjust heat
Because this donabe has significant depth, a large convection current occurs inside, allowing for even and fluffy cooking.
It's easy to use: place over medium to high heat for about 10-12 minutes until it boils, and when steam starts hissing from the steam hole, turn off the heat. Then, simply wait for the same amount of time you had it on the heat, and delicious rice will be cooked.
Cooking results may vary depending on the rice brand and water content. Please find the optimal timing for yourself.
Notes on using the donabe rice cooker
- Very hot steam comes out of the steam hole, so be careful not to get burned.
- The entire pot becomes very hot, so be careful not to get burned.
- Do not soak it, as it can cause odors and mold.
- Dry thoroughly before storing, as it can cause odors and mold.
- If you need to dry it quickly, heat it empty on low heat on the stove for about 10 minutes before storing.
- Avoid prolonged empty heating, as it can cause cracks.
- The bottom of the pot becomes very hot, so please use a pot holder.
- If you find any cracks, stop using it immediately.
| Size | W21cm x L21cm x H17cm |
|---|---|
| Product Weight | 2300g |
| Capacity (Full) | 3 cups |
| Material | Fire-resistant heat-resistant ceramic |
| Texture | Glossy・Smooth |
| Production Area | Japan / Saga Prefecture |
| Craftsman / Brand | Anraku Kiln / Arita ware |
| Specifications |
|
| Remarks |
It may be listed as "Brown Tobikanna-carved 3-cup Rice Cooking Pot" in other stores. |
Rurikasablanca Makeup Brush 9cm
This is Hata Toun's original Casablanca design. The beautiful white Casablanca expresses purity, dignity, and elegance. This makeup brush is made with Hata Toun's innovative and refined brushwork called "usururi yakishime" (light lapis lazuli unglazed porcelain). It is a luxurious item created using a technique called "sumi-hajiki" (ink repellence) and fired five times.
The handle was produced by Hata Toun, a leading producer of Imari Nabeshima ware. The magnificent Nabeshima brand, born from sophisticated brushwork, is truly captivating. The brush head was produced by Chikuhodo, a world-renowned brush workshop.
The bristles are a 50/50 blend of "sokoho," the highest quality goat hair, and gray squirrel, which is very smooth to the touch. This exquisite balance provides moderate resilience and a soft feel.
Each product may vary slightly in color, painting texture, and weight. In addition, some products may have small black spots (iron powder) on the surface of the ware or glaze drips, but this does not affect the quality.
| Product Number | Q01-03389 |
|---|---|
| Size | W3.6cm x L3.6cm x H9cm |
| Product Weight | 70g |
| Capacity (full) | -ml |
| Material | [Handle] Porcelain [Bristles] Goat hair/Sokoho 50%, Gray squirrel 50% |
| Production Area | Japan |
| Maker/Brand | Hata Toun (Imari), Chikuhodo (Kumano) / QUSAVI |
| Specifications | |
| Remarks |
|
Karakusa Tohana Cosmetic Brush 6.5cm
The Tohana (Tang Flower) pattern is an imaginary floral design that arrived in Japan from Tang China during the Nara and Heian periods. This design is based on a pattern found on Nabeshima Sarasa cloth, with Tohana flowers arranged in a regular pattern, creating a dignified and elegant composition characteristic of Nabeshima ware. It also has a somewhat charming appeal.
The handle was crafted by Hataman Touen, a leading representative of Imari Nabeshima ware. The exquisite Nabeshima brand, born from sophisticated brushwork, is truly captivating.
The brush head was made by Chikuhodo, a brush workshop recognized worldwide. The bristles are a 50/50 blend of the finest "Sokohou" goat hair and extremely soft gray squirrel hair. This exquisite balance provides both appropriate resilience and a soft feel.
Please note that individual products may vary slightly in color, painting texture, and weight. Additionally, some products may have small black spots (iron particles) on the surface of the ware or glaze drips, but these do not affect the quality.
| Product Number | Q01-03386 |
|---|---|
| Size | W3.6cm x L3.6cm x H6.5cm |
| Product Weight | 35g |
| Capacity (when full) | -ml |
| Material | [Handle] Porcelain [Brush Hair] Goat hair / Sokohou 50%, Gray Squirrel 50% |
| Place of Origin | Japan |
| Artisan / Brand |
Hataman Touen (Imari) , Chikuhodo (Kumano) / QUSAVI |
| Specifications | |
| Remarks |
|
Sometsuke Arabesque Shaving Brush 13.4cm
Karakusa (arabesque) is a botanical motif introduced from Tang Dynasty China. In the mid-Edo period, it was used as a secondary motif to decorate the rims of plates or the shoulders of jars. Later, the area covered by karakusa expanded, and it came to be depicted across entire surfaces. This motif became popular in the 18th century. The delicate and elegant karakusa, featuring petals regularly arranged on swirling leaves, combines gentleness and strength. A glaze that vividly expresses the robustness of the vines is used, highlighting the beauty of the brushstrokes.
The handle is crafted by Kisho Kiln, known for its expertise in "reproducing Ko-Imari." Particularly noteworthy is their reproduction of "Usu-Ruri Sosagi," which revives the elusive technique of "thin lapis lazuli." This design is a modern reinterpretation of the pattern and texture of the "Sometsuke Shirasagi-zu San-kyaku-zara" (Blue and White Heron Tripod Dish), which is designated as an Important Cultural Property of Japan.
The brush head is made by Chikuhodo, a world-renowned brush workshop. This luxurious shaving brush uses more badger hair than usual. When wet, the bristles become soft, providing a smooth feel against the skin. Furthermore, badger hair has a moderate firmness, allowing for a finer lather.
Please note that individual products may vary slightly in color, painting texture, and weight. Additionally, some products may have small black spots (iron particles) or glaze drips on the surface, but these are not considered defects in quality.
| Product Number | Q01-03395 |
|---|---|
| Size | W3.5cm x L3.5cm x H13.4cm |
| Product Weight | 75g |
| Capacity (full) | -ml |
| Material | [Handle] Porcelain [Bristles] Badger |
| Place of Origin | Japan |
| Maker / Brand |
Kisho Kiln (Arita) , Chikuhodo (Kumano) / QUSAVI |
| Specifications |
|
| Notes |
|
Sometsuke Reverse Karakusa Shaving Brush 13.4cm
At first glance, it might appear to be "Tako Karakusa" (octopus arabesque), a common pattern found in old Imari ware from the Edo period, but this is a "Gyaku Karakusa" (reverse arabesque) pattern. While regular Tako Karakusa fills in the arabesque pattern itself, Gyaku Karakusa fills in the background while leaving the arabesque pattern uncolored. Gyaku Karakusa, which requires high skill and experience, stands out among old Imari sometsuke for its splendor and presence.
The handle was produced by Kishogama, a company skilled at "recreating old Imari ware." Among their notable achievements is the "Usururi Sōro," which recreates the "Usururi" (thin lapis lazuli) technique, known as a lost art. It reinterprets the design and texture of the "Sometsuke Shirasagi-zu Sankyaku-zara" (blue and white egret design tripod plate), which is designated an Important Cultural Property of Japan, in a new form.
The bristles were produced by Chikuhodo, a brush workshop renowned worldwide. This luxurious shaving brush uses more bristles than usual. The bristle material is badger hair. When wet, the bristles soften, providing a smooth feel against the skin. Furthermore, badger hair has just the right amount of resilience, allowing for the creation of finer lather.
There may be slight differences in color, brushwork, and weight between individual products. Also, some products may have small black dots (iron spots) on the surface or glaze drips, but these do not indicate a quality issue.
| Product Number | Q01-03396 |
|---|---|
| Size | W3.5cm x L3.5cm x H13.4cm |
| Product Weight | 75g |
| Capacity (full) | -ml |
| Material | [Handle] Porcelain [Bristles] Badger |
| Place of Origin | Japan |
| Creator/Brand |
Kishogama (Arita) , Chikuhodo (Kumano) / QUSAVI |
| Specifications | |
| Notes |
|
Tokusa Camellia Makeup Brush 9cm
Camellia is said to announce the arrival of spring and is also considered a dignified and sacred tree. The unpretentious beauty of the camellia is depicted on this makeup brush. Furthermore, the vertical stripes of tokusa are expressed using a highly skilled technique called "sumi-hajiki" (ink-repelling), beautifully enhancing the respective beauty of each.
The handle was produced by Hataman Touen, a leading Imari Nabeshima ware kiln. The exquisite Nabeshima brand, born from refined brushwork, is truly captivating.
The brush head was produced by "Chikuhodo," a world-renowned brush workshop. The bristles are a blend of 50% "sokoho," the highest quality goat hair, and 50% gray squirrel, which is very smooth to the touch. This exquisite balance results in a moderate firmness and soft feel.
The color, painting style, and weight of each product may vary slightly. Also, some products may have small black dots (iron spots) on the surface or glaze drips, but these do not affect the quality.
| Product Number | Q01-03392 |
|---|---|
| Size | W3.6cm x L3.6cm x H9cm |
| Product Weight | 70g |
| Capacity (when full) | -ml |
| Material | [Handle] Porcelain [Brush Hair] Goat hair / Sokoho 50%, Gray squirrel 50% |
| Place of Origin | Japan |
| Maker / Brand |
Hataman Touen (Imari) , Chikuhodo (Kumano) / QUSAVI |
| Specifications | |
| Remarks |
|
Aode Peony Makeup Brush, 9cm
The peony, with its majestic and noble presence, has long been cherished for its overwhelming beauty. Utilizing the skilled technique of sumi-hajiki (ink-resist dyeing), dynamic waves are depicted, beautifully highlighting the opulent peonies.
The brush handle was crafted by Hataman Touen, a leading producer of Imari-Nabeshima ware. The magnificent Nabeshima brand, born from sophisticated brushwork, is truly captivating.
The brush head was crafted by Chikuhodo, a world-renowned brush atelier. The bristles are a blend of 50% "Sokouho," the highest quality goat hair, and 50% gray squirrel, which is exceptionally smooth to the touch. This exquisite balance results in a moderate firmness and a soft touch.
Individual product colors, painting styles, and weights may vary slightly. Additionally, some products may have small black dots (iron spots) on the surface of the pottery or glaze runs, but these do not affect the quality.
| Product Number | Q01-03391 |
|---|---|
| Size | W3.6cm x L3.6cm x H9cm |
| Product Weight | 70g |
| Capacity (when full) | -ml |
| Material | [Handle] Porcelain [Bristles] Goat hair/Sokouho 50%, Gray squirrel 50% |
| Production Area | Japan |
| Craftsman/Brand |
Hataman Touen (Imari) , Chikuhodo (Kumano) / QUSAVI |
| Specifications | |
| Notes |
|
1300度の炎が生み出す奇跡の色彩。指先と唇で味わう、有田焼・窯変ぐい呑みの最高峰。
静かな夜、お気に入りの冷酒を注ぐと、器の底に潜む結晶が光を浴びてゆらりと輝き始める——。有田焼の名門「真右エ門窯」が手がけるこのぐい呑み(35ml)は、単なる酒器という枠を超え、手元で愛でるアートそのものです。1300度という超高温の窯の中で、釉薬が不規則に溶け合って生まれる「窯変」のグラデーション。辰砂の深遠な赤や幾何学的な銀河の輝きなど、16色それぞれの個性が際立ちます。長年愛用して実感したのは、日本酒を味わう時間はもちろん、ちょっとした珍味を添える小鉢として使っても、食卓が一瞬で洗練された割烹の佇まいに変わるという豊かな体験です。
【触覚と口当たり】天草陶石のしっとりとした質感と、唇に寄り添う滑らかさ
手のひらにそっと収めた瞬間、天草陶石ならではの高密度で硬質な手触りと、手のひらにしっくりと馴染む心地よい重みが伝わってきます。表面は絹のようにきめ細やかで、指先をすべらせるたびに上質な磁器の質感を堪能できます。さらに魅了されるのが唇を寄せたときの触感です。端正に整えられた飲み口は極めて滑らかで、お酒がすっと口の中に流れ込みます。吸水性のない硬質な磁器だからこそ、陶器のような匂い移りや雑味が一切なく、大吟醸のフルーティーな立ち香や純米酒の繊細な旨味を余すことなくストレートに届けてくれます。
【料理の額縁としての美しさ】お酒の透明感を際立たせ、小さな前菜も華やかに惹き立てる
冷酒を注ぐと、透明な液体を通して底面の釉薬や結晶模様が立体的に浮かび上がり、まるで手のひらに小さな宇宙を抱えているかのような美しさに包まれます。また、このぐい呑みは酒器としてだけでなく「極上の小付け(珍味入れ)」としても素晴らしい存在感を発揮します。いくらや塩辛、旬の和え物などを少量盛り付けるだけで、16色の艶やかな釉薬が料理の色彩を鮮やかに引き立てる「最高の額縁」となります。いつものおつまみや食卓の景色が、一気に華やかで特別なものへと昇華します。
【背景と実用性の融合】職人技が宿る窯変の美と、食洗機にも対応する日常の扱いやすさ
日展作家をはじめ数々の賞に輝く真右エ門窯の真骨頂は、一瞬の炎の加減を見極める高度な技術にあります。その圧倒的な美術品としての存在感がありながら、日常使いの道具としての実用性が極めて高いのも特徴です。1300度の猛火で焼き締められた有田焼の磁器は非常に頑丈で、汚れや傷がつきにくく、手入れの手間がかかりません。さらに、日常使いに嬉しい食洗機対応。重ねた際も収まりが良く省スペースで収納できるため、複数色を揃えてもかさばりません。繊細な見た目に反して気兼ねなく毎日使える頑丈さと機能美を備えています。
長年使い込むほどに、その佇まいの美しさと使い勝手の良さに魅了されます。1300度の猛火から生まれる16色の豊かな表情は、毎日の晩酌を特別なひとときに変え、食卓に格別な華やかさを添えてくれます。工芸品としての気品と、現代の暮らしに寄り添う扱いやすさを兼ね備えた、一生モノとして手元に置いておきたい名品です。
こんな方におすすめ
- 日本酒本来の繊細な香りや味わいを、上質な口当たりとともにじっくり堪能したい方
- いつもの晩酌やちょっとしたおつまみを、料亭のような洗練された景色に変えたい方
- 伝統工芸の圧倒的な美しさを楽しみつつ、食洗機対応などの扱いやすさも譲れない方
- 還暦祝いや記念品、特別な方へ自信を持って贈れる上質な有田焼を探している方
ご購入前に必ずお読みください (器の「個性」について)
当店では、全てメーカー検品を合格した正規品のみを販売しておりますが、手仕事による焼き物の特性上、本製品には以下の個性がございます。工業製品にはない一点物の「景色」としてお迎えいただければ幸いです。
- 本商品は窯変による発色となるため、個体差が大きく出る場合がございます
- 本商品は窯変による発色となるため、釉垂れ部分に差異がございます
- その他、気になる点がございましたら、お問い合わせください。
| サイズ | 約W20.5cm x L28.5cm x H8.5cm |
|---|---|
| 商品重量 | 約1360g |
| 容量(満水時) | 約35ml |
| 材質 | 磁器 |
| 手触り感 | グロス・つるつる |
| 生産地 | / |
| つくり手/ブランド | 真右ェ門窯/有田焼 |
| 仕様 |
|
| 備考 | 他店では「小煎茶 16色揃い」と記載される場合もございます |
Anraku Kiln Red Glaze Tobikanna Kamagata Donabe 5-Go Rice Cooker 24.5cm
No need to adjust heat
This donabe (earthenware pot) has a deep shape, which creates a large convection inside, resulting in evenly and fluffily cooked rice.
It's easy to use: heat it over medium to high heat for about 10 to 12 minutes until it boils, and when steam starts hissing from the steam vent, turn off the heat. Then, wait for the same amount of time you heated it, and you'll have delicious rice.
The cooking results may vary depending on the brand of rice and its moisture content. Please find your optimal timing.
Notes on Rice Donabe
- Be careful of burns as very hot steam comes out of the steam vent.
- Be careful of burns as the entire pot becomes very hot.
- Do not soak it, as this may cause odors and mold.
- Dry thoroughly before storing, as this may cause odors and mold.
- If you need to dry it quickly, store it after heating it empty over low heat on the stove for about 10 minutes.
- Avoid prolonged empty heating, as this may cause cracks.
- The bottom of the pot becomes very hot, so please use a pot holder.
- Discontinue use if you find any cracks.
| Size | W24.5cm x L28cm x H21cm |
|---|---|
| Product Weight | 3860g |
| Capacity (Full) | 5-go rice cooker |
| Material | Fire-resistant heat-resistant ceramic |
| Texture | Glossy・Smooth |
| Region of Origin | Japan / Saga Prefecture |
| Craftsperson / Brand | Anraku Kiln / Arita Ware |
| Specifications |
|
| Remarks |
May also be listed as "Special) Akaraku 5-go Tobikanna Kamagata Nabe" by other stores. |
Koransha mono-P Dining Pendant (for hooking ceiling)
"mono-P" was born from the advanced techniques cultivated by Koransha and Kakishita Mokuzai Kogyosho respectively. The shade is made of white porcelain. To eliminate the tilt towards the pipe section, it is integrally molded and fired, achieving a soft form that highlights the beauty of white porcelain. The product design was handled by lighting designer Tatsuya Shibuya.
About Koransha
Founded in 1879, Koransha is a leading Arita ware manufacturer that operates three businesses, from art pieces to insulator products and new ceramic products. It has received numerous honorable gold medals at international expositions around the world. It has also gained high acclaim overseas and was honored to be appointed purveyor to the Imperial Household Ministry in 1896, a distinction it holds to this day.
About MOARE
In 1957, Kakishita Mokuzai Kogyosho was founded in Hida Takayama, a lumber processing region. Since then, it has been manufacturing warm wooden lighting for half a century. Inheriting the traditional spirit and techniques cultivated by the Hida no Takumi, the original wooden lighting brand "MOARE" was born in 2007.
Designer Tatsuya Shibuya
After working for a major lighting manufacturer, Tatsuya Shibuya Design Office was established in 2012. He has created numerous designs, including the "mono" series for MOARE and other lighting fixtures, as well as custom lighting for facilities.
| Size | W14.5cm x L14.5cm x H25.5cm / Total length: 100cm |
|---|---|
| Product weight | 500g |
| Capacity (when full) | -ml |
| Material | Porcelain (shade) |
| Tactile feel | Matte, smooth |
| Place of production | Japan / Saga Prefecture |
| Craftsman / Brand | Koransha / Arita Ware Kakishita Mokuzai Kogyosho / Hida Takayama |
| Specifications |
|
| Remarks |
As this is a lighting fixture, please be sure to read the instruction manual thoroughly before use, and fully understand the precautions for use and usage methods to ensure correct and safe use. Some other stores may list this product as "P-MP-01H mono-P Dining Pendant (01/for hanging ceiling hook)". |
Shin'emon Kiln Tenmoku-style Guinomi (Sake Cup) 16-Color Set 90ml [in a wooden box]
About Inspection Standards for Yohen (Changing Kiln) Products
While we only sell products that have passed the manufacturer's inspection, please be aware of the following product characteristics:
- Yohen products use glazes that undergo significant color changes during firing and cooling, resulting in individual variations in surface color.
- For the reason above, we cannot accept specific color requests for additional orders.
About Products in Wooden Boxes
Photos are for illustration purposes only. Wooden boxes may show age-related discoloration, and the calligraphy (brush strokes) on the lid may vary individually.
Individual products may vary slightly in color, pattern, and weight. Also, some products may have small black dots (iron spots) on the surface of the vessel or glaze drips, but this does not affect the quality.
| Size | W36.5cm x L36.5cm x H8.5cm |
|---|---|
| Product Weight | 2100g |
| Capacity (Full) | 90ml |
| Material | Porcelain |
| Texture | Glossy and smooth *Partially matte and smooth |
| Place of Production | Japan |
| Craftsman/Brand | Shin'emon Kiln / Arita-yaki |
| Specifications |
|
| Remarks |
May also be referred to as "Omoshiro Guinomi Juroku-iro Zoroe" at other stores. |