Products priced from ¥1,000 to under ¥3,000

Sometsuke Arabesque Shaving Brush 13.4cm

Karakusa (arabesque) is a botanical motif introduced from Tang Dynasty China. In the mid-Edo period, it was used as a secondary motif to decorate the rims of plates or the shoulders of jars. Later, the area covered by karakusa expanded, and it came to be depicted across entire surfaces. This motif became popular in the 18th century. The delicate and elegant karakusa, featuring petals regularly arranged on swirling leaves, combines gentleness and strength. A glaze that vividly expresses the robustness of the vines is used, highlighting the beauty of the brushstrokes.

The handle is crafted by Kisho Kiln, known for its expertise in "reproducing Ko-Imari." Particularly noteworthy is their reproduction of "Usu-Ruri Sosagi," which revives the elusive technique of "thin lapis lazuli." This design is a modern reinterpretation of the pattern and texture of the "Sometsuke Shirasagi-zu San-kyaku-zara" (Blue and White Heron Tripod Dish), which is designated as an Important Cultural Property of Japan.

The brush head is made by Chikuhodo, a world-renowned brush workshop. This luxurious shaving brush uses more badger hair than usual. When wet, the bristles become soft, providing a smooth feel against the skin. Furthermore, badger hair has a moderate firmness, allowing for a finer lather.

Please note that individual products may vary slightly in color, painting texture, and weight. Additionally, some products may have small black spots (iron particles) or glaze drips on the surface, but these are not considered defects in quality.

Sometsuke Reverse Karakusa Shaving Brush 13.4cm

At first glance, it might appear to be "Tako Karakusa" (octopus arabesque), a common pattern found in old Imari ware from the Edo period, but this is a "Gyaku Karakusa" (reverse arabesque) pattern. While regular Tako Karakusa fills in the arabesque pattern itself, Gyaku Karakusa fills in the background while leaving the arabesque pattern uncolored. Gyaku Karakusa, which requires high skill and experience, stands out among old Imari sometsuke for its splendor and presence.

The handle was produced by Kishogama, a company skilled at "recreating old Imari ware." Among their notable achievements is the "Usururi Sōro," which recreates the "Usururi" (thin lapis lazuli) technique, known as a lost art. It reinterprets the design and texture of the "Sometsuke Shirasagi-zu Sankyaku-zara" (blue and white egret design tripod plate), which is designated an Important Cultural Property of Japan, in a new form.

The bristles were produced by Chikuhodo, a brush workshop renowned worldwide. This luxurious shaving brush uses more bristles than usual. The bristle material is badger hair. When wet, the bristles soften, providing a smooth feel against the skin. Furthermore, badger hair has just the right amount of resilience, allowing for the creation of finer lather.

There may be slight differences in color, brushwork, and weight between individual products. Also, some products may have small black dots (iron spots) on the surface or glaze drips, but these do not indicate a quality issue.

Tokusa Camellia Makeup Brush 9cm

Camellia is said to announce the arrival of spring and is also considered a dignified and sacred tree. The unpretentious beauty of the camellia is depicted on this makeup brush. Furthermore, the vertical stripes of tokusa are expressed using a highly skilled technique called "sumi-hajiki" (ink-repelling), beautifully enhancing the respective beauty of each.

The handle was produced by Hataman Touen, a leading Imari Nabeshima ware kiln. The exquisite Nabeshima brand, born from refined brushwork, is truly captivating.

The brush head was produced by "Chikuhodo," a world-renowned brush workshop. The bristles are a blend of 50% "sokoho," the highest quality goat hair, and 50% gray squirrel, which is very smooth to the touch. This exquisite balance results in a moderate firmness and soft feel.

The color, painting style, and weight of each product may vary slightly. Also, some products may have small black dots (iron spots) on the surface or glaze drips, but these do not affect the quality.

Aode Peony Makeup Brush, 9cm

The peony, with its majestic and noble presence, has long been cherished for its overwhelming beauty. Utilizing the skilled technique of sumi-hajiki (ink-resist dyeing), dynamic waves are depicted, beautifully highlighting the opulent peonies.

The brush handle was crafted by Hataman Touen, a leading producer of Imari-Nabeshima ware. The magnificent Nabeshima brand, born from sophisticated brushwork, is truly captivating.

The brush head was crafted by Chikuhodo, a world-renowned brush atelier. The bristles are a blend of 50% "Sokouho," the highest quality goat hair, and 50% gray squirrel, which is exceptionally smooth to the touch. This exquisite balance results in a moderate firmness and a soft touch.

Individual product colors, painting styles, and weights may vary slightly. Additionally, some products may have small black dots (iron spots) on the surface of the pottery or glaze runs, but these do not affect the quality.

Anraku Kiln Red Glaze Tobikanna Kamagata Donabe 5-Go Rice Cooker 24.5cm

No need to adjust heat

This donabe (earthenware pot) has a deep shape, which creates a large convection inside, resulting in evenly and fluffily cooked rice.

It's easy to use: heat it over medium to high heat for about 10 to 12 minutes until it boils, and when steam starts hissing from the steam vent, turn off the heat. Then, wait for the same amount of time you heated it, and you'll have delicious rice.

The cooking results may vary depending on the brand of rice and its moisture content. Please find your optimal timing.

Notes on Rice Donabe

• Be careful of burns as very hot steam comes out of the steam vent.
• Be careful of burns as the entire pot becomes very hot.
• Do not soak it, as this may cause odors and mold.
• Dry thoroughly before storing, as this may cause odors and mold.
• If you need to dry it quickly, store it after heating it empty over low heat on the stove for about 10 minutes.
• Avoid prolonged empty heating, as this may cause cracks.
• The bottom of the pot becomes very hot, so please use a pot holder.
• Discontinue use if you find any cracks.

Koransha mono-P Dining Pendant (for hooking ceiling)

"mono-P" was born from the advanced techniques cultivated by Koransha and Kakishita Mokuzai Kogyosho respectively. The shade is made of white porcelain. To eliminate the tilt towards the pipe section, it is integrally molded and fired, achieving a soft form that highlights the beauty of white porcelain. The product design was handled by lighting designer Tatsuya Shibuya.

About Koransha

Founded in 1879, Koransha is a leading Arita ware manufacturer that operates three businesses, from art pieces to insulator products and new ceramic products. It has received numerous honorable gold medals at international expositions around the world. It has also gained high acclaim overseas and was honored to be appointed purveyor to the Imperial Household Ministry in 1896, a distinction it holds to this day.

About MOARE

In 1957, Kakishita Mokuzai Kogyosho was founded in Hida Takayama, a lumber processing region. Since then, it has been manufacturing warm wooden lighting for half a century. Inheriting the traditional spirit and techniques cultivated by the Hida no Takumi, the original wooden lighting brand "MOARE" was born in 2007.

Designer Tatsuya Shibuya

After working for a major lighting manufacturer, Tatsuya Shibuya Design Office was established in 2012. He has created numerous designs, including the "mono" series for MOARE and other lighting fixtures, as well as custom lighting for facilities.

Shin'emon Kiln Tenmoku-style Guinomi (Sake Cup) 16-Color Set 90ml [in a wooden box]

About Inspection Standards for Yohen (Changing Kiln) Products

While we only sell products that have passed the manufacturer's inspection, please be aware of the following product characteristics:

• Yohen products use glazes that undergo significant color changes during firing and cooling, resulting in individual variations in surface color.
• For the reason above, we cannot accept specific color requests for additional orders.

About Products in Wooden Boxes

Photos are for illustration purposes only. Wooden boxes may show age-related discoloration, and the calligraphy (brush strokes) on the lid may vary individually.

Individual products may vary slightly in color, pattern, and weight. Also, some products may have small black dots (iron spots) on the surface of the vessel or glaze drips, but this does not affect the quality.